Deadpool stays on top with 32 million, Gods of Egypt goes soft; XX3 to debut January 20th; DreamWorks’ earnings beat estimates on major turnaround

The merc with the mouth stays unbeaten again! I’m Realistic Fish Head. Deadpool continued his sharp shooting ways by snatching 32 million in the box office causing Gods Of Egypt to disappoint. Kung Fu Panda 3 is still kung Fu kicking as Po continues to hold on. With Oscar night drawing to a close Gene, can Deadpool continue shooting down the competition or will Disney’s Zootopia put a stop to his plans?

 

Gene:

Fox’s Deadpool continued to lead the box office with ease this weekend with an estimated third weekend take of $31.5 million. The Ryan Reynolds led blockbuster antihero film stabilized nicely this weekend, as the film was down a very respectable 44 percent. Deadpool is approaching the $300 million domestic mark with a massive 17-day start of $285.64 million. That places the film an extremely impressive 51 percent ahead of the $189.56 million 17-day take of 2014’s X-Men: Days of Future Past (which fell 53 percent in its third weekend to gross $15.15 million). With the release of Disney’s highly anticipated Zootopia on Friday, this will obviously be the last weekend in first place for Deadpool.

In other Marvel related news from Fox, on Saturday evening Fox announced that Gambit no longer has a currently scheduled release date. And while Fox didn’t officially announce a release date for a Deadpool sequel yesterday, the studio did schedule untitled Marvel films for release on October 6, 2017 and on January 12, 2018.

Lionsgate’s Gods of Egypt debuted in second place with an estimated $14.0 million. While the expensive action fantasy film featuring Gerard Butler and Nikolaj Coster-Waldau opened towards the higher end of its relatively modest expectations, the film still performed very poorly with both its high price tag and the action fantasy genre in mind. Months of largely negative pre-release buzz was simply too much for Gods of Egypt to overcome this weekend and poor critical reviews and the continued strength of Deadpool didn’t help matters either. Gods of Egypt opened 56.5 percent below the $32.21 million start of 2011’s Immortals.

Gods of Egypt started out with $4.76 million on Friday (which included an estimated $800,000 from Thursday night shows), increased 17 percent on Saturday to take in $5.58 million and is estimated to decline 34 percent on Sunday to gross $3.66 million. That places the film’s estimated opening weekend to Friday ratio at 2.94 to 1. Gods of Egypt received a modest B- rating on CinemaScore and currently has a Flixster audience score of just 48 percent. Gerard Butler will hope to see much stronger results next weekend with the release of Focus’ London Has Fallen.

Kung Fu Panda 3 claimed third place this weekend with an estimated $9.00 million. The 3D computer animated sequel from Fox and DreamWorks Animation was down a very healthy 28 percent from last weekend, as the film appears to have received a boost this weekend from family audiences who wanted to catch it before Zootopia arrives in the marketplace next weekend. The 31-day total for Kung Fu Panda 3 stands at $128.46 million, which places the film 13 percent behind the $148.18 million 31-day take of last year’s Hotel Transylvania 2.

Risen followed in fourth place with an estimated $7.00 million. The faith-based film from Sony’s AFFIRM Films label starring Joseph Fiennes was down a solid 41 percent from last weekend’s debut. Risen has grossed $22.70 million in ten days, which is towards the higher end of expectations. That places the film a strong 36 percent ahead of the $16.68 million ten-day take of 2014’s When the Game Stands Tall (which fell 28 percent in its second weekend to gross $6.01 million). Risen will hope to hold up well between now and Easter, though before much longer the film will be facing new direct competition from fellow faith-based films The Young Messiah and Miracles from Heaven.

Fox’s Eddie the Eagle rounded out the weekend’s top five with an estimated $6.30 million. The sports comedy starring Taron Egerton and Hugh Jackman opened just below its already modest pre-release expectations. Despite aid from a Super Bowl ad and the strongest critical reviews of the weekend’s three new wide releases, moviegoers simply weren’t very interested in Eddie the Eagle out of the gate.  The film opened with $1.94 million on Friday, increased a strong 43 percent on Saturday to take in $2.77 million and is estimated to decrease 43 percent on Sunday to gross $1.59 million. That gives Eddie the Eagle an estimated opening weekend to Friday ratio of 3.25 to 1, which is a promising early sign. Furthermore, Eddie the Eagle received a strong A rating on CinemaScore and currently boasts a healthy 87 percent audience score on Flixster, so it is possible that the film could hold up well going forward thanks to healthy word of mouth.

Triple 9 debuted in sixth place with a very lackluster $6.10 million. The ensemble crime drama opened below expectations and failed to live up to the relatively high online activity levels the film had generated in the weeks leading up to its release. Triple 9 represents another disappointing performance for Open Road, with other recent misfires for the distributor including last year’s Rock the Kasbah and last month’s Fifty Shades of Black. Triple 9 opened 54 percent below the $13.15 million start of 2012’s End of Watch (which was also an Open Road release). Triple 9 took in $2.14 million on Friday, was up 12 percent on Saturday to gross $2.40 million and is estimated to fall 35 percent on Sunday to claim $1.56 million. That places the film’s estimated opening weekend to Friday ratio at 2.85 to 1. Triple 9 received a soft C+ rating on CinemaScore and currently has a Flixster audience score of 51 percent; neither of which is a good sign for the film going forward.

 

To recap, Deadpool stays on top on its 3rd week unaware of the mouse’s biggest move, Gods of Egypt debuts in 2nd but ends up getting flopped, KP3 stays in 3rd as Zootopia gives the dragon warrior the advantage, Risen recovers in 4th while Eddie the Eagle soars to victory in 5th.

 

It’s been 6 months since XXX star Vin Diesel left the extreme fad in favor of racing cars thanks to the success of Fast 7 and coming soon Fast 8. Now he’s going back to extreme sports as Paramount recently unveiled the date for XX3. When will we see the return of Xander Cage Angie?

 

Angie Angelfish (via Dateline Hollywood)- Six months after Vin Diesel told his social media multitudes that he’ll be reprising one of his early signature roles, Paramount has set a release date for xXx 3: The Return of Xander Cage. The sequel will open January 20. The studio signed on last week to distribute the actioner.

 

The film marks the Furious franchise star’s first return to the long-dormant franchise since 2002’s original xXx, when he starred as extreme-sports athlete who is blackmailed into becoming a government operative Xander Cage. He sat out the second pic in the series, 2005’s xXx: State Of The Union, which starred Ice Cube. In the new pic, Cage comes out of exile and takes on a deadly alpha warrior Xiang in pursuit of an unstoppable weapon known as Pandora’s Box. Cube’s status for returning to the franchise is uncertain, but it will star Donnie Yen as Cage’s nemesis.

xXx 3 will battle in the post-MLK Day frame with EuropaCorp’s Sullivan Stapletom thriller The Lake and Universal horror pic Split from director M. Night Shyamalan.

 

5 years ago, DreamWorks went from box office winner to box office loser as the flops from the Penguins of Madagascar movie and Peabody and Sherman crippled the company mission completely. The studio’s CEO Jeffery Katzenberg needed a way to turn things around since the studio they recently owned was sold off. The turnaround started when DreamWorks retained their library which in turn kept the team-up with Netflix intact to keep track on their shows. DVD sales rose as DreamWorks’ Home boosted revenue dramatically from the street thanks to its progress in the box office. Off of last week’s earnings Stan, has Katzenberg’s turnaround plan worked?

 

Stan Jennings Fish (via Animation World)-DreamWorks Animation, on the heels of a year-long restructuring effort and global expansion highlighted by the opening of Oriental DreamWorks in China and a worldwide deal with Netflix, appears to have turned itself around.

On Tuesday, the Jeffrey Katzenberg-led company reported revenues of $319.3 million for the fourth quarter of 2015, an increase of 36.3 percent from the same period in 2014. In addition, DWA reported adjusted operating income of $56.5 million and adjusted net income attributable of $48.1 million or 55 cents per diluted share for the quarter. That exceeded expectations of industry analysts, who had predicted the studio would earn just 16 cents per share in the fourth quarter on revenue of $274 million.

DreamWorks Animation has registered positive earnings in the last four quarters, averaging 58 percent, in sharp contrast with the reported loss of $3.08 per share on $234.2 million revenue a year ago in the same quarter.

While Kung Fu Panda 3 wasn’t released in time to effect the fourth quarter, the movie is in theaters now and Katzenberg raved about the movie’s performance thus far in a call with investors. Hailing from Oriental DreamWorks, Kung Fu Panda 3 is a co-production with the state-run China Film Group. The movie has made $144 million in China thus far and is “on its way” to perhaps becoming the biggest animated film ever released in that country, Katzenberg said.

The news comes one year after DreamWorks Animation slashed its film slate and staff and sold off its campus in Glendale, CA in the wake of a $247 million fourth quarter loss, and undertook a massive restructuring. Adjusted financial results exclude a $6.1 million pre-tax charge associated with the restructuring.

Driven by the box-office hit Home — the studio’s only 2015 release — revenues for the feature film unit increased to $146.4 million, up from $131.3 million in the prior-year period, and gross profit improved to $63.5 million compared to a loss of $152.2 million in the same period of last year.

The $55.3 million in revenues from Home came primarily from worldwide pay television and home entertainment. Through the end of the fourth quarter, the film reached an estimated 6 million home entertainment units sold worldwide.

Library titles contributed $71.2 million in revenue to the feature film segment in the quarter, driven by an extension of existing licensing arrangements for the streaming and VOD distribution of titles including The Croods and Turbo.

Revenue from television series and specials increased to $104.9 million, compared to $50.7 million during the prior-year period, and gross profit increased to $46.6 million in the current quarter from a loss of $2.6 million in the same period of the prior year. The increase was primarily driven by higher revenues, favorable amortization rates associated with DWA’s episodic series and holiday specials, and lower marketing spend compared with the prior-year period.

 

 

The full press release is shown below:

 

 

DreamWorks Delivers Outstanding Fourth Quarter And Year-End 2015 Results Highlighted By Strong Growth Across Core Business Segments

DreamWorks reports full-year revenue growth of 34% to $916 million

DreamWorks delivers full-year adjusted(a) operating income of $79 million

DreamWorks reports full-year adjusted(a) operating cash flow of $126 million

GLENDALE, Calif., Feb. 23, 2016 /PRNewswire/ — DreamWorks Animation SKG, Inc. (Nasdaq: DWA) today reported revenues for the quarter ended December 31, 2015 of $319.3 million, representing an increase of 36.3% from the same period in 2014. In addition, DWA reported adjusted(a) operating income of $56.5 million and adjusted(a) net income attributable to DWA of $48.1 million or $0.55 per diluted share for the quarter ended December 31, 2015. Adjusted financial results exclude a $6.1 million pre-tax charge associated with the Company’s Restructuring Plan announced on January 22, 2015.

Including the impact of the previously announced Restructuring Plan, DWA reported operating income of $50.4 million and reported net income attributable to DWA of $42.1 million, or $0.48 per diluted share for the quarter ended December 31, 2015.

“Although 2015 was a transitional year for our company, I am exceptionally proud of what the DreamWorks team has accomplished this year and I’m pleased to report that we have met or exceeded our stated full year 2015 goals across all key financial metrics,” said Jeffrey Katzenberg, Chief Executive Officer of DreamWorks Animation. “DWA delivered its best top line result in 11 years and highest revenue growth in eight years, accelerating 34% from 2014. In addition, our positive adjusted operating income and operating cash flow demonstrate our commitment to profitably grow our businesses while keeping a sharp eye on cost management and productivity improvements.”

Katzenberg continued, “While there is still much work to be done before we cross the goal line on the objectives we shared a year ago, we enter 2016 with considerable momentum. Our continued focus on executing on our strategic goals will not only ensure sustainable and profitable growth over the long term, but create shareholder value for years to come.”

Fourth Quarter Review:
DWA’s fourth quarter revenues of $319.3 million increased 36.3% versus the prior-year period driven by performance across all core business segments.

Revenues for the quarter ended December 31, 2015 from the Feature Film segment increased to $146.4 million, up from $131.3 million in the prior-year period. Segment gross profit improved to $63.5 million compared to a loss of $(152.2) million in the same period of last year. Gross profit in the prior-year period included the impact of film and other inventory write-offs of $153.6 million stemming from the Company’s 2015 Restructuring Plan, as well as total impairment charges of $39.7 million related to The Penguins of Madagascar and Mr. Peabody and Sherman.

Home contributed feature film segment revenue of $55.3 million in the quarter ended December 31, 2015, primarily from worldwide pay television and home entertainment. Through the end of the fourth quarter, the film reached an estimated 6.0 million home entertainment units sold worldwide, net of actual and estimated future returns.

The Penguins of Madagascar contributed feature film segment revenue of $13.8 million in the quarter ended December 31, 2015, primarily from international pay television. Through the end of the fourth quarter, the film reached an estimated 3.9 million home entertainment units sold worldwide, net of actual and estimated future returns.

How to Train Your Dragon 2 contributed feature film segment revenue of $4.0 million in the quarter ended December 31, 2015, primarily from worldwide home entertainment. The film reached an estimated 9.4 million home entertainment units sold worldwide through the end of the fourth quarter, net of actual and estimated future returns.

Mr. Peabody and Sherman contributed feature film segment revenue of $2.1 million in the quarter ended December 31, 2015, primarily from worldwide home entertainment. The film reached an estimated 4.5 million home entertainment units sold worldwide through the end of the fourth quarter, net of actual and estimated future returns.

Library titles contributed feature film segment revenue of $71.2 million in the quarter ended December 31, 2015, driven by an extension of existing licensing arrangements for the SVOD distribution of certain titles as well as worldwide television and home entertainment revenues for a number of titles including The Croods and Turbo.

Revenues for the quarter ended December 31, 2015 from the Television Series and Specials segment increased to $104.9 million, compared to $50.7 million during the prior-year period. The increase in revenues was attributable to a significantly higher number of episodes delivered under our episodic content licensing deals and an extension of existing licensing arrangements related to the SVOD distribution of our seasonal television specials. Segment gross profit increased to $46.6 million in the current quarter, from a loss of $(2.6) million in the same period of the prior year. The increase was primarily driven by higher revenues, favorable amortization rates associated with our episodic series and holiday specials and lower marketing spend compared with the prior-year period. Gross profit in the prior-year period was impacted by write-downs of capitalized film costs totaling $13.3 million, primarily due to revisions in estimated future revenues for certain television specials.

Revenues from the Consumer Products segment increased to $31.7 million in the quarter ended December 31, 2015, compared to $22.1 million in the same period last year. The increase was primarily driven by revenues earned from retail development and location based entertainment initiatives as well as merchandise licensing agreements related to our episodic television series. Segment gross profit decreased to $5.7 million from $6.1 million in the prior-year period as higher revenues were offset by a one time expense of $7.0 million related to our retail development initiatives. Gross profit for the quarter ended December 31, 2014 was impacted by impairment charges totaling $2.4 million, primarily related to The Penguins of Madagascar.

Revenues for the quarter ended December 31, 2015 from the Company’s New Media segment were $32.9 million compared to $24.9 million during the three months ended December 31, 2014. This increase was primarily attributable to revenue generated from licensing and distribution of content and, to a lesser extent, advertising, brand sponsorship and talent management arrangements. In the prior-year period, the Company reported certain advertising and talent management revenues in this segment on a “gross” basis rather than on a “net” basis. For comparative purposes, if the New Media segment’s revenues had been reported on a “net” basis during the quarter ended December 31, 2014, revenues for the quarter ended December 31, 2015 would reflect an increase of 41% compared with the prior-year period. Segment gross profit, which is not affected by this item, increased to $20.6 million from $13.2 million in the prior-year period, primarily due to higher revenue contributions from the licensing and distribution of content, as well as reduced amortization of intangible assets.

Revenues from the All Other segment for the quarter ended December 31, 2015 were $3.4 million compared to $5.2 million in the prior-year period and gross profit was $2.7 million compared to a loss of $(4.0) million for the quarter ended December 31, 2014. Gross profit for the quarter ended December 31, 2014 included the write-off of capitalized costs in the amount of $5.4 million.

For the quarter ended December 31, 2015, DWA posted adjusted(a) operating income of $56.5 million. The increase in revenues and segment gross profit were partially offset by an increase in adjusted(a) general and administrative expenses. The increase in adjusted(a) general and administrative costs in the quarter ended December 31, 2015 was primarily driven by a $25.0 million increase in incentive and stock-based compensation costs, as well as an increase of $1.5 million related to the growth and expansion of the AwesomenessTV business. Operating income in the prior-year period included a $6.8 million benefit associated with a reduction in the fair value of the contingent consideration liability related to our acquisition of AwesomenessTV. Reported operating income for the quarter ended December 31, 2015, inclusive of restructuring-related charges, was $50.4 million.

Adjusted(a) net income attributable to DWA for the quarter ended December 31, 2015 was $48.1 million, or adjusted(a) income of $0.55 per diluted share. During the fourth quarter, the Company recorded an income tax benefit of $2.4 million, or an effective rate of (6.1)%. Combined with a decrease in income tax benefit payable to former stockholder of $3.2 million, results in a combined effective tax rate of (14.3)% for the quarter. Reported net income attributable to DWA for the quarter ended December 31, 2015 was $42.1 million, or $0.48 per diluted share.

Full Year Review:
DWA’s revenues for the year ended December 31, 2015 increased 33.8% to $915.9 million compared to $684.6 million in the prior-year period. The increase was driven by year-over-year growth across all core business segments.

Revenues for the year ended December 31, 2015 from the Feature Film segment increased to $520.1 million, primarily due to higher revenue from prior-year theatrical releases and contributions from the Library. Included in the results is a one-time benefit of $7.8 million related to recoveries from previously established home entertainment reserves related to sales through a former distributor. Segment gross profit increased to $190.5 million for the year ended December 31, 2015 compared to a loss of $(89.4) million in the prior-year period. In 2014, Feature Film segment gross profit was impacted by $259.7 million in charges, including restructuring-related charges totaling $163.0 million, as well as impairment charges totaling $96.7 million, primarily related to the performance of The Penguins of Madagascar and Mr. Peabody and Sherman.

Revenues from the Television Series and Specials segment for the year ended December 31, 2015 increased 121.5% to $228.1 million, due to a significantly higher number of episodes delivered under our episodic content licensing arrangements. Segment gross profit also increased to $84.5 million in 2015, up from $6.7 million in the prior year. The increase was primarily driven by higher revenue and favorable amortization rates associated with our episodic series and holiday specials, partially offset by up-front marketing costs associated with the launch of our new television series. Gross profit in the prior-year period was negatively impacted by write-downs of capitalized film costs totaling $13.3 million, primarily due to revisions in estimated future revenues for certain television specials, as well as higher than expected returns of seasonal and newly-released home entertainment product and increased selling costs related to our Classic Media properties.

Revenues from the Consumer Products segment in the year ending December 31, 2015 increased to $86.5 million, from $64.8 million in the prior year. The increase was primarily driven by revenues earned from new and extended location based entertainment license arrangements and retail development initiatives in 2015, as well as merchandise licensing arrangements. For the year ended December 31, 2015, segment gross profit increased to $29.9 million, from $23.7 million in the prior year due to higher revenues, partially offset by a one time expense of $7.0 million related to our retail development initiatives. Gross profit for the year ended December 31, 2014 was impacted by impairment charges totaling $2.4 million, which were primarily related to The Penguins of Madagascar.

Beginning in the quarter ending March 31, 2016, DWA plans to change the method by which intellectual property costs are charged to the Consumer Products segment to provide better comparability to peers, be more in line with the method used in the Television Series and Specials segment and minimize the volatility of the Consumer Products segment profitability. As a result, the Consumer Products Segment will no longer bear amortization of capitalized production costs for the use of Film and TV intellectual property. Instead, the Consumer Products segment will be charged a royalty fee which will compensate the originating segment for the use of intellectual property. There will be no change to DWA’s Consolidated financials, as DWA’s Ultimate revenues and the amortization of capitalized production costs remain unchanged. This methodology will impact segment reporting only.

Revenues for the year ended December 31, 2015 from the Company’s New Media segment increased to $72.8 million, from $49.0 million in the prior year. This increase was primarily attributable to revenue generated from licensing and distribution of content, and to a lesser extent, advertising, brand sponsorship and talent management arrangements. In the prior year, the Company reported certain advertising and talent management revenues in this segment on a “gross” basis rather than on a “net” basis. For comparative purposes, if the New Media segment’s revenues had been reported on a “net” basis during the year ended December 31, 2014, revenues for the year ended December 31, 2015 would reflect an increase of approximately 84% compared with the prior year. Segment gross profit for year ended December 31, 2015, which is not affected by this item, was $41.1 million, compared to $17.9 million during the year ended December 31, 2014, primarily due to higher revenue contributions from the licensing and distribution of content, as well as reduced amortization of intangible assets.

Revenues from the All Other segment for the year ended December 31, 2015 were $8.4 million compared to $14.3 million in the prior year. Gross profit was $5.9 million compared to a loss of $(5.0) million for the year ended December 31, 2014. Gross profit for the year ended December 31, 2014 included the write-off of capitalized costs in the amount of $5.4 million.

For the year ended December 31, 2015, DWA posted adjusted(a) operating income of $78.8 million. The increase in revenues and segment gross profit was partially offset by an increase in adjusted(a) general and administrative expenses. The increase in adjusted(a) general and administrative costs in the current year was driven by a $37.1 million increase in incentive and stock-based compensation costs and a $16.9 million increase in costs incurred to support the growth and expansion of the AwesomenessTV business. Operating income in the prior year included a $16.5 million benefit associated with a reduction in the fair value of the contingent consideration liability related to our acquisition of AwesomenessTV. The reported operating income for the year ended December 31, 2015, inclusive of restructuring-related charges, was $16.4 million.

Adjusted(a) net income attributable to DWA for the year ended December 31, 2015 was $7.6 million, or $0.09 per share. Adjusted net income reflects higher interest expense related to a lease financing obligation associated with the Company’s headquarters as well as a decrease in the amount of interest that could be capitalized during 2015. Adjusted net income for the year ended December 31, 2015 also includes non-cash charges totaling $11.9 million in other expense, net that are attributable to certain investments that were deemed to not be recoverable. Additionally, during the year ended December 31, 2015, DWA recorded income tax expense of $21.9 million, which includes expense related to the Company’s tax sharing agreement with former stockholder. As a result, the Company had a combined effective tax rate of (68.4)% for the year ended December 31, 2015. Reported net loss attributable to DWA for the year ended December 31, 2015 was $(54.8) million, or $(0.64) per share.

For the year ended December 31, 2015, adjusted(a) operating cash flow was $126.0 million. The main sources of cash during the year ended December 31, 2015 were primarily the theatrical, home entertainment and television revenues from How to Train Your Dragon 2, Home, The Croods and from licensing of our episodic content. Cash used in operating activities for the year ended December 31, 2015 included $14.3 million in incentive compensation, which decreased $21.6 million when compared to the amount paid during the year ended December 31, 2014 as these cash payments primarily fluctuate based on our financial results. During the year ended December 31, 2015, we also made payments to an affiliate of a former stockholder in the amount of $7.4 million. Lastly, cash from operating activities was also partially offset by production spending for our films and television series, as well as participation and residual payments. Including the impact of the previously announced Restructuring Plan, DWA reported operating cash flow of $52.5 million for the year ended December 31, 2015, compared to net cash used in operating activities of $(162.4) million in the prior year.

As of December 31, 2015, our payable to former stockholder was $20.8 million. We expect that $16.4 million will become payable during the next 12 months (which is subject to the finalization of our 2015 tax returns and may be reduced by refunds of overpayments related to prior years).

During the year ended December 31, 2015, DWA amended its $400.0 million revolving credit facility, increasing the size of the committed facility to $450.0 million and extending the term through February 2020. DWA also entered into an agreement to sell its campus located in Glendale, California for $185.0 million and concurrently leased it back from the purchaser. Proceeds from the sale were used to repay outstanding borrowings on the Company’s revolving credit facility and for general corporate purposes.

On July 21, 2015, the original purchaser of the campus resold it for a total sale price of $215.0 million. Pursuant to a sharing agreement between the Company and such original purchaser, the Company was entitled to receive 50% of any increase in value from the original sale price of $185.0 million, net of expenses. Accordingly, the Company received approximately $14.2 million from the original purchase following such resale.

As of December 31, 2015, DWA had $390.0 million of availability on its revolving credit facility and $110.8 million of cash and cash equivalents on hand, approximately 58% of which is held by two of the Company’s consolidated joint ventures.

Items related to the earnings press release for the fourth quarter of 2015 will be discussed in more detail on the Company’s earnings conference call later today.

 

 

1,513 fans are currently on the board at the Penguins tally as Team Skipper prepares for the Oscars tonight. 

 

There’s plenty of new episodes this week starting with Clearance, Nexo Knights and We Bare Bears. And be sure to spend your weekend with Finn, Jake, Mordecai, and Rigby with new episodes of Adventure Time and Regular Show. This is Realistic Fish Head saying, enjoy the Oscars tonight!

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